Carol Anne McChrystal

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Carol Anne McChrystal’s materially-driven sculpture practice uses chemical processes and labor-intensive hand-making to explore the legacy of colonialism and trade, as well as the ways in which the climate catastrophe has compounded these histories of inequity. Inhabiting the tension between Earth’s immense history and the absurdly mundane everyday experience of plastic and labor, her practice consolidates the painstakingly hand-made with mass-produced consumables in order to pry open a speculative space in which to resist the means-ends rationale of late capitalism.

As part of the collaborative duo Nightmare City, she has created immersive environments that have been exhibited at Alter Space in San Francisco, The Luminary in St. Louis, and Horse & Pony in Berlin among others,and has shown video works at Essex Flowers in New York, MASS Gallery in Austin, and ACRETV in Chicago. Their work has been written about in publications such as ArtForum and Modern Painters

Carol Anne’s writing has been published on critical arts platforms like Art Practical and Temporary, and she recently self-published a collection of poetry titled, “Entropical Latitudes.”  Born into the dual diaspora of the Philippines and Ireland, she currently lives and works in Los Angeles where she also organizes with GABRIELA, the anti-imperialist Filipino women’s group.